Archive for Musicals.Net Musicals.Net |

| solo_saxophone |
Miss Saigon vocal score questions....Hey everyone,So I've had a copy of the "Miss Saigon" vocal score for a number of years that I got from a friend who had been in the show - it's about 340 pages and has all of the music from the show for piano reduction and all of the various parts for the different characters on seperate staves. It's set like a traditional operatic score, I suppose. Some weirdness, though. For those of us here who are familliar with the score, we will be well aware of the fact that the "Finale" has undergone a considerable amount of revision since the show opened on Broadway and in London. The Finale first was called "The Sacred Bird" and was partly new music and partly a reprise of "I'd Give My Life For You", before the familiar falling "I have had my fill of pain" whole-tone motif and "American Dream" reprise and gunshot stuff. It went: From this picture I keep You, my parents, look out And your smiles show no scorn I am happy today For my heart is not torn Spirits know when to fly when it's time; There's no reason to mourn For the great sacred bird is reborn etc etc etc. Then we got a "new" version in time for the Complete Symphonic Recording in 1995 or so, that incorporated more music and then a reprise of "This is the Hour" before a similar ending to the OLC. This one is my personal favorite: Now, Tam, my brave boy Our long wait has ended Smile, Tam, for you have A father at last He will come to take you home All I dreamed for you he'll do You're still mine, but I can't go along Don't be sad; though I seem far away, I'll be watching you! So anyway, having just gotten the German cast recording of MS, I was looking in the vocal score and saw something interesting. Directly after "The American Dream", the vocal score has two seperate endings - "The Sacred Bird", which is a PV reduction to the end, basically, and an entirely seperate "draft" of an ending, I guess - something entirely new, called "Little God of My Heart". "Little God of My Heart" contains musical portions of the second Finale version seen on the CSR (the "You're still mine, but I can't go along/Don't be sad; though I seem far away, I'll be watching you!" part), but is otherwise entirely new material for the most part until the gunshot. It's pretty, too, from what I see, but very different and mostly in 12/8, with a triplet feel. So what's with this "Little God of My Heart" stuff? Was it ever used in the show? Is there anywhere it's been recorded? Given its apparent relative obscurity, how did it make it into the vocal score? Also, a "bonus" query: why, in some vocal scores in various parts (such as MS, during most of "The Heat is On in Saigon" and "If You Want to Die in Bed"), does the piano accompaniment dissapear and get replaced with "x-ed out" note symbols and just chord names as opposed to actual accompaniment? It's strange. Any insight? I would LOVE to know more. My e-mail address is joe.bardsley@gmail.com Thanks, guys! Take care, Joseph |
||||
| cellodude06 |
well... i played in the pit for miss saigon and the notes with x's and chord symbols are because those parts are "ad lib" or improvised... they'll just give you the chords and the beat pattern | ||||
| o.0 |
Little God of My HeartFrom what I've heard, Little God of My Heart was used for a few months on Broadway, because The Sacred Bird gave away the ending too easily. But after a few months LGoMH was also changed into what is now the Finale.I don't believe it was ever recorded (legally, anyway...) |
||||
| medicman |
I was in Miss Saigon at a Summer Stock theater in New Hampshire this year.
We used the Symphonic version. After listening to both, I'm glad we did, it is much better. |
||||
| The Very Angry Woman |
Re: Little God of My Heart
Little God of My Heart was written for the OBC and was phased out sometime in mid-1995. The only legal recording of it is on the original Japanese cast recording, and in the "making of" documentary about the Toronto production. |
||||
| Eponine93 |
Sacred Bird
I think "The Sacred Bird" was cut because if you think through it, it has a theme of suicide. Apparantly people were coming out of the theatre or listening to that song and murdering themselves, and their loved ones said it was the song's fault. Its a pretty song though. |
||||
| bbuyle |
complete miss saigon vocal scoreDoes anyone has the complete vocal score of Miss Saigon?I mean the one that is used during rehearsels. Willing to pay for it. Thx. |
||||
| alcockell |
IMHO - I saw the original production, and that original lyric matched more closely..
Kim was dealing with a massive shame cycle; she'd had to rationalise a lot... and also death is dealt with differently in Buddhist cultures... |
||||
| jackrussell |
Re: Sacred Bird
Really? If true that seems like an overreaction (both by the audience and the producers). Emo music would be banned if we were to follow that example The finale on the CSR is the one that's been used whenever I've seen the show so I don't think Little God of My Heart can have been around for long, as the above poster said. The CSR ending is very powerful so they'd be foolish to change it again. |
||||
| Vanessa20 |
Random opera babble, typical of me
Fortunately, I've never heard of anyone responding the same way to the corresponding aria in Madame Butterfly, even though its text is equally suicide-oriented, no hiding her intentions from either the child or the audience: Tu! Tu! Tu! Tu! Tu! Tu! Tu! Piccolo iddio! Amore, amore mio! Fior di giglio e di rosa! Non saperlo mai per te, per tuoi puri occhi, muor Butterfly! Perche tu possa andar di la dal mare, Senza che ti rimorda ai di maturi, il materno abbandono. O a me, sceso dal trono dell'alto Paradiso, Guarda ben fiso, fiso di tua madre la faccia, Che ten resti una traccia. Guarda ben! Amore, addio! Addio, piccolo amor! Va, gioca, gioca! You! You! You! You! You! You! You! My little god! My dearest, dearest love! Flower of lilies and roses! May you never know that for you, for your innocent eyes, Butterfly died! So that you may go away over the sea, And when you are older, may feel no pain at your mother's renunciation. My son, sent from the throne of Paradise, Look carefully at your mother's face, So that a trace of it will remain with you. Look carefully! My love, farewell! Farewell, my little love! Go, play, play! |